Page 9



Ex. 10

So far, Beethoven has presented us with a fairly typical funeral march.  Following the trio, one would expect a reprise of the march and the procession theme does return as anticipated.  Beethoven was not content though, to present us with a simple A-B-A treatment and following the trio, undertakes a full development of the march.  His departure from the expected begins with the procession theme where, at bar 110, the violins are left holding an A then climb to D. This portentous change of harmony will lead us to something quite unexpected.

       


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